![]() ![]() The three shared the same dorm (“They might have done it on purpose,” Slade said of the school’s housing overlords), and they eventually formed their own band. Slade, Kolderie and Fitting met at Yale, where they were misfits in the otherwise white collar Ivy League crowd. For a group of guys in their 20s unsure of where to go or what to do post-college, it was a challenge worth happily diving into. Every band that walked through the door offered an opportunity to play around and try something new. The foursome treated the studio like a never-ending blank canvass. He, Paul Kolderie, Jim Fitting, and the late Joe Harvard didn’t have any grand scheme in place when they first set up shop in Roxbury in 1986, and that was in large part the point. Slade’s words more or less define the Fort Apache aesthetic. “We just wanted to have a studio and we did it,” Sean Slade, one of the studio’s co-founders, told Consequence of Sound in 2016. It was an experiment, something its creators did for no other reason than because they could. The studio that helped define the sound of the city and much of alternative rock in the late 80s and early 90s came to be in much the same way many of the bands that recorded there did. It’s an impressive resume, but even more interesting than the work that came out of Fort Apache is the DIY ethic that drove its operation. Hole recorded Live Through This at the Fort, as did Weezer when they assembled for their lovesick masterpiece, Pinkerton. Radiohead worked on its first two records the studio’s Camp Street location. ![]() The list of acts that logged time at the Fort is lengthy, beginning first with local rock heroes and later some of the biggest acts of the alternative rock era. Chances are if you were gigging about Boston in the late 1980s and early 1990s, Fort Apache Studios was yours. A cliff notes history of the Boston studio that helped father the sound of the 90sĮvery band needs a place to call home. ![]()
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